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33 Sold Out
Elina Brotherus,
John
Davies,
Sara
Gadd,
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John Goto, Pasturelands, 2000-2001
John Goto’s photographic tableaux High Summer suggests that all is not well in the artificially landscaped heritable garden of contemporary Britain. These digitally-constructed photographs draw on the 18th century French landscape paintings of Poussin and Lorrain, to question our evolving relationship to the natural world. We present the first phase of Metropoli, John Davies’ exploration of the major post-industrial cities in the UK, and Roni Horn’s photographs of the River Thames, nominated recently for the Citibank Photography Prize.
Roni Horn, Still Water, 2000
Jemima Stehli’s work explored issues arising from the representation of the female nude body; here we publish a sample of her monumental photographs seen recently in London. Finnish artist Elina Brotherus’ work, to be exhibited in the UK later this year, deals with feelings of love and isolation. This issue features a critique by Mark Durden of Boris Mikhailov’s photography, and new work by Sophy Rickett, Sara Gadd, Bettina Von Zwehl, Effie Paleologou, Florencia Durante, Dominic Davies, Marlow Brauer, Luciana Fonseca and Michael Forbes.
John Goto, Beach, 2000-2001 features John Goto
High Summer Elina Brotherus
Photographs Sophy Rickett
Photographs Florencia Durante Studio Compositions Jemima Stehli
Photographs Luciana Fonseca Photographs Roni Horn
Another Water Michael Forbes Celebration of Death Effie Paleologou The Front Sara Gadd Hydropathic Dominic Davies To Cage Marlow Brauer Photographs
Sophy Rickett, Palm Trees, 2000
Bettina Von Zwehl, Untitled II, 1998
reviews Boris Mikhailov Case
Histories Settings & Players:
John Davies Metropoli Brassaï: The
Soul of Paris
Jemima Stehli, Self Portrait with Karen, 2000
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Effie Paleologue,
John Goto,
Marlow Brauer,
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