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Dalziel + Scullion
Asa Andersson, Untitled
Virginia
Brunnert,
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 Shirin Neshat, Soliloquy, Film Still, 1999 (Courtesy Barbara Gladstone)
Shirin Sheshat, known previously for her still photography, came to international prominence during 1999 with her video installation Turbulent, which won the prestigious Golden Lion award at the Venice Biennale. We are delighted to publish colour production stills from her latest video installation Soliloquy, shown at Fruitmarket Gallery during the 2000 Edinburgh International Festival, with an essay by Amna Malik, which also discusses Neshat's major trilogy, shown at the Serpentine Gallery in London. This issue also includes Jane Brettle's reworking of the highly fetishised sculptures of the 19th century Italian sculptor Antonio Canova in relation to contemporary portraits of real women; a series of still images from Another Place, the video projection by Matthew Dalziel + Louise Scullion; Jim Cooke's large-format colour landscape series Re-Placing Arcadia; Matthias Hoch's photographs from La Defense in paris; and the work of some of this year's graduates - Matt Laver, Asa Andersson (and from Glasgow School of Art) Graham Govan, Virginia Brunnert, Arne B. Langleite, Ben Geoghegan and Kat Borishkewich.
Jane Brettle, Restoration Works
features Shirin Neshat
Soliloquy Jane Brettle
Restoration Works Asa Andersson Photographs Matt Laver Ordered Dalziel +
Scullion Another Place Steve Hollingsworth gaijin j'dencha Kat Borishkewich Singularity Arne B. Langleite Paper Series Graham Govan Shift Petra Creffield Going Home Virginia Brunnert Drawing with 3 Noodles Matthias
Hoch Photographs Patrick Shanahan Esperantis Ben Geoghegan Glasgow Billboards Tom Wichelow Whitehawk CCTV Alfredo Jaar's
Four Times Nguyen reviews Protest
and Survive Whitechapel Gallery, London Roshini
Kempadoo:Virtual Exiles |
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Jim
Cooke, Flooded River
Kat Borishkewich, Singularity
Matthias Hoch, |
