Maud Sulter Malheureusement, series of 3

 

This issue marks the first of the new and expanded PORTFOLIO. This has arisen out of a desire to create a completely new and distinctive type of publication, fusing the characteristics of both an exhibition catalogue and a specialist magazine. The format is larger and contains two distinct sections: 40 pages of colour and duotone plates, allowing images to be seen to their best advantage without the conflicting needs of text. The corresponding essays are presented separately, accompanied by photographs, and this is followed by reviews of major exhibitions taking place throughout the UK.

Our aim is to combine the new work of established artists with portfolios by young and emerging talent, in-depth essays and lively reviews, in a collectable publication published in June and December each year. We know that the high-quality photographic reproduction which has been a feature of PORTFOLIO in the past has been valued by our audience, and we are dedicated to extending this in the new publication.

 

features

Maud Sulter SYRCAS
In the Margin of Margins - Essay by Maria Lind

Boyd Webb Works 1992-94
The Fantastic Voyage - Essay by David Alan Mellor

Susan Trangmar Amidst

Karen Knorr The Virtues and the Delights
with Text by Karen Knorr

John Stathatos Three Heraclitean Elements
Classical Beginnings - Essay by Clifford Myerson

Calum Angus Mackay Isolate
The Dark and the Dead - Essay by Peter Ride

Anne Elliott What Happens Next?

Catriona Grant Photographs

 

 

Karen Knorr, Le Regard de L'Autre

 

 

reviews

Christian Boltanski
Tramway and Centre for Contemporary Art, Glasgow
by Rebecca Coggins

Willie Doherty
Arnolfini, Bristol and Matt's Gallery, London
by Caryn Faure Walker

Susan Lipper
The Photographers' Gallery, London
by Marina Benjamin

Susan Trangmar
Dash Gallery, London
by John Stathatos

Flor Garduno
National Museum of Photography Film and Television, Bradford
by Mary Sara

Ron O'Donnell
Harewood House, Leeds
by Amanda Hopkinson

Annie Leibovitz
National Portrait Gallery, London
by Rhonda Wilson